Bhakti ArohanBhakti Arohan

Shiva Tandava Stotram

A powerful hymn attributed to Ravana, praising Lord Shiva's cosmic dance of creation and destruction.

Shri Shiva

Original text

जटाटवीगलज्जलप्रवाहपावितस्थले गलेऽवलम्ब्य लम्बितां भुजङ्गतुङ्गमालिकाम्। डमड्डमड्डमड्डमन्निनादवड्डमर्वयं चकार चण्डताण्डवं तनोतु नः शिवः शिवम्॥

Transliteration

Jatatavigalajjala pravahapavitasthale, Galevalambya lambitam bhujanga tunga malikam...

A hymn traditionally credited to Ravana

The Shiva Tandava Stotram is unusual among stotras in its traditional authorship: it's attributed to Ravana, the antagonist of the Ramayana, who — despite his conflict with Rama — is described in tradition as an accomplished Shiva devotee and Sanskrit scholar. The story goes that he composed it after being pinned under Mount Kailash by Shiva and, rather than cursing his fate, sang this hymn in praise instead — an episode meant to illustrate devotion that holds even through hardship.

What makes it distinctive

Unlike many devotional verses built for slow, meditative chanting, the Tandava Stotram is written in a driving, complex Sanskrit metre (panchachamara) that mimics the rhythm of Shiva's own tandava — his cosmic dance of both creation and destruction. Reading it aloud at speed produces an almost percussive sound, which is part of why it's chanted as much for its rhythm as for its literal meaning.

The imagery inside it

The verses describe Shiva's matted hair with the Ganga cascading through it, his throat blue from holding the world's poison (Neelkanth), the crescent moon in his hair, and the intensity of his dance shaking the heavens. It moves between fierce, cosmic imagery and calmer devotional surrender, reflecting Shiva's own dual nature as both destroyer and benevolent ascetic.

How it's used today

It's popular among those learning Sanskrit chanting for its technical challenge, sung during Shivratri and other Shiva festivals, and often played as recorded devotional music for its dramatic, driving quality even by people who don't chant it themselves.

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